Alma Tadema
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8 January 1836 – 25 June 1912. Most renowned painters.

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Antonio Carnicero
Coleccion des las Principales suertes de una corrida de toros

ID: 50776

Antonio  Carnicero Coleccion des las Principales suertes de una corrida de toros
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Antonio  Carnicero Coleccion des las Principales suertes de una corrida de toros


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Antonio Carnicero

1748-1814 Italian Antonio Carnicero Location Antonio Carnicero (1748- 1814) was a Spanish painter of the Neoclassic style. Born in Salamanca and died in Madrid. He was trained with his father, Alejandro Carnicero, a sculptor. He then traveled to Rome and returned to be named chamber painter for King Charles III. He also worked as an engraveor. He illustrated and edition of Don Quixote.  Related Paintings of Antonio Carnicero :. | Master Baby | The Grandmother-s Birthday | Landscape at Auvers in the Rain | Fishing Boats | Portrat der Mrs. Elisabeth Freake und ihrer Tochter Mary |
Related Artists:
ALLORI Alessandro
Italian Mannerist Painter, 1535-1607 Born in Florence. After the death of his father in 1540 he was brought up and trained in art by a close friend, often referred to as his 'uncle', the mannerist painter Agnolo Bronzino, whose name he sometimes assumed in his pictures. In some ways, Allori is the last of the line of prominent Florentine painters, of generally undiluted Tuscan artistic heritage: Andrea del Sarto worked with Fra Bartolomeo (as well as Leonardo Da Vinci), Pontormo briefly worked under Andrea, and trained Bronzino, who trained Allori. Subsequent generations in the city would be strongly influenced by the tide of Baroque styles pre-eminent in other parts of Italy. Freedburg derides Allori as derivative, claiming he illustrates "the ideal of Maniera by which art (and style) are generated out of pre-existing art." The polish of figures has an unnatural marble-like form as if he aimed for cold statuary. It can be said of late phase mannerist painting in Florence, that the city that had early breathed life into statuary with the works of masters like Donatello and Michelangelo, was still so awed by them that it petrified the poses of figures in painting. While by 1600 the Baroque elsewhere was beginning to give life to painted figures, Florence was painting two-dimensional statues. Furthermore, in general, with the exception of the Contra Maniera artists, it dared not stray from high themes or stray into high emotion.
Nikifor Krylov
1802-1831 Russian Nikifor Krylov Gallery
COLLINO, Filippo
b. 1737, Torino, d. 1801, Torino






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